1. Discuss Mary Shelley's use of nature with reference to at least two locations. Answer Introduction: Direct and specific response to the question. Recognises more than one use of nature. Establishes analytical bearings. The two locations which best exemplify Mary Shelley's use of nature are the Arctic region and the Alpine surroundings of Geneva. In both, natural settings are used as a background for the main plot and also provide the key thematic imagery of the novel. The Arctic: Connections between character, theme and imagery. Illustrate with key words, phrases or images, for example, Victor Frankenstein adrift on the ice raft. In introducing Walton emphasise the appeal, which the Arctic landscape holds for him. Comment on the aspect, which the cold brilliance of the arctic light has for Walton. Emphasise how in the end nature defeats both men. The Frozen Wastes of the Arctic in which the novel begins and ends make a suitable setting for the graveyard of Victor Frankenstein's dreams. The barren end to which his despair has brought him is reflected in the barrenness of snow and ice. It is also apt that Victor should meet a kindred spirit - Captain Walton - in a place far removed from human habitation. Both value 'the great enterprise' above the value of human life. Captain Walton's search for a polar country 'of eternal light' reflects the abnormal quality of his own dreams. However, he is defeated in his great enterprise by the harsh realities of 'the land of mist and snow'. The powers of nature are once again to the fore after the narrative shifts to Victor's family home in Geneva. Ironically, the thunder and lightning, which precedes his first encounter with the creature are regarded by him as auguries of a celestial vengeance on his behalf. The Alps: Introduce the idea of Victor's egotistical view of nature. A comparative point could be made here with Walton and the 'beauty and delight', which he finds in the Arctic's ice and snow. Victor's and presumption are mirrored further in his reflections on the glacial grandeur of the Alps. Surveying the seas and rivers of ice and the glittering cold light of the whitened peaks he feels elevated by a 'power mighty as omnipotence' to a solitary perch above the rest of humanity. But his delusions of grandeur are punctured for the second time by the re-appearance of the creature. Conclusion: Round off with a summary of the various aspects of the topic. In her varied use of nature, Mary Shelley therefore adds interests as well as meaning to what is essentially a Gothic horror tale.